|
Formats and Editions
1. Ich Will Den Kreuzstab Gerne Tragen Cantata, Bwv 56: 1. Aria: "ich Will Den Kreuzstab Gerne Tragen"
2. Ich Will Den Kreuzstab Gerne Tragen Cantata, Bwv 56: 2. Recitativo: "mein Wandel Auf Der Welt"
3. Ich Will Den Kreuzstab Gerne Tragen Cantata, Bwv 56: 3. Aria: "endlich, Endlich Wird Mein Joch"
4. Ich Will Den Kreuzstab Gerne Tragen Cantata, Bwv 56: 4. Recitativo: "ich Stehe Fertig Und Bereit"
5. Ich Will Den Kreuzstab Gerne Tragen Cantata, Bwv 56: 5. Choral: "komm, O Tod, Du Schlafes Bruder"
6. Cantata "christ Lag In Todesbanden", Bwv 4: 1. Sinfonia
7. Cantata "christ Lag In Todesbanden", Bwv 4: 2. Versus 1: "christ Lag In Todesbanden"
8. Cantata "christ Lag In Todesbanden", Bwv 4: 3. Versus 2: "den Tod Niemand Zwingen Kunnt"
9. Cantata "christ Lag In Todesbanden", Bwv 4: 4. Versus 3: "jesus Christus, Gottes Sohn"
10. Cantata "christ Lag In Todesbanden", Bwv 4: 5. Versus 4: "es War Ein Wunderlicher Krieg"
11. Cantata "christ Lag In Todesbanden", Bwv 4: 6. Versus 5: "hier Ist Das Rechte Osterlamm"
12. Cantata "christ Lag In Todesbanden", Bwv 4: 7. Versus 6: "so Feiern Wir Das Hohe Fest"
13. Cantata "christ Lag In Todesbanden", Bwv 4: 8. Versus 7: "wir Essen Und Wir Leben Wohl"
14. Cantata "ich Habe Genug" Bwv 82: 1. Aria: Ich Habe Genug, Ich Habe Den Heiland
15. Cantata "ich Habe Genug" Bwv 82: 2. Recitativo: Ich Habe Genug! Mein Trost Ist Nur Allein
16. Cantata "ich Habe Genug" Bwv 82: 3. Aria: Schlummert Ein, Ihr Matten Augen
17. Cantata "ich Habe Genug" Bwv 82: 4. Recitativo: Mein Gott! Wann Kommt Das Schöne Nun!
18. Cantata "ich Habe Genug" Bwv 82: 5. Aria: Ich Freue Mich Auf Meinen Tod
More Info:
In addition to the less well known 'Ich will den Kreuzstab gerne tragen', two of Bach's most important and highly regarded Cantata's 'Christ lag in Todesbanden' and 'Ich habe genug' receive exceptionally dramatic, remarkably heartfelt performances here. The youthful Dietrich Fischer-Dieskau's seamless legato and passionate delivery beautifully compliments the often introspective subject matter of the texts. Ristenpart (who many remember as conducting arguably the most popular and best selling recording of Bach's Brandenburg Concerto's ever on Nonesuch LP) and Lehmann's conducting as well couldn't be more powerfully evocative or fully explore the emotional range of these transcendent settings. Archiv's original-image bit-processing restored sound as well, belies the early 1950's vintage.
back to top