10th anniversary deluxe edition of Mac Miller's second studio album Watching Movies with the Sound Off on heavyweight galaxy vinyl. Includes a bonus 10" zoetrope picture disc with bonus track "The Star Room (OG Version)" and a never before released vinyl exclusive track "The Quest."

Los Angeles indie-rock pioneer Day Wave (the project of singer/instrumentalist Jackson Phillips) first emerged from the Bay Area in 2015 and quickly became known for his wavy lo-fi bedroom production. Tracks like "Drag" and "Something Here" put him on a global radar, boasting hundreds of millions of streams across DSPs and creating a lane for bedroom-pop that didn't previously exist. Now Jackson returns to the forefront of the indie space with Pastlife, an album that tackles themes of love, loss, and maneuvering life in your 30s. Singles "Where Do You Go" and "Before You Knew" kicked off the project and saw notable praise from PASTE, Lyrical Lemonade, Ones To Watch, Northern Transmissions and more, spins on SiriusXM's Alt Nation Advanced Placement, KCRW, SiriusXMU and features on coveted playlists like New Music Friday, Dopamine, and Today's Indie Rock to name a few. The title track off the forthcoming album, is a blustery indie-rock number that encapsulates the sweet nostalgia of missing someone. "I think of 'Pastlife' as the thesis statement for this record, because the overall theme is reminiscing on past chapters in my life. I have so many era's from my past that I miss, and so many friends left behind in those times. I wonder if they ever think of those times the way I do. " Jackson's knack for ear-catching melodies and simple, fresh production is cherished more than ever in a world saturated with overly-produced tracks. On Pastlife, Jackson takes it back to the basics of indie- a space he's been spearheading for the past 10 years and continues to rise to the top in, producing for a new generation of indie acts like Hana Vu, Saba, Hazel English, KennyHoopla and more.

Busta Rhymes returns with his eleventh studio release executive produced by Pharrell Williams, Timbaland, Swizz, along with Busta himself.  The new album contains lead off singles “Beach Ball” featuring BIA, “Luxury Lifestyle” featuring Coi Leray, and “OK” featuring Young Thug along with a host of other features.

David Gray's 'White Ladder Live' celebrates of the 20th anniversary of the record breaking album. Recorded at Austin City Limits Live, at the Moody Theater, this live version will also feature four live covers including Soft Cell's "Say Hello, Wave Goodbye," "Tainted Love," and David Bowie's "Life On Mars," and "Oh! You Pretty Thing." 'White Ladder Live' offers the magic of David Gray's masterpiece in a new light.

Vinyl LP pressing. 2023 release, the seventh studio album by Nigerian singer Burna Boy. The album features guest appearances from 21 Savage, Dave, Seyi Vibez, J. Cole, GZA and RZA of the Wu-Tang Clan, and Byron Messia

Legendary hip hop pioneer DJ Muggs and frequent David Lynch collaborator Dean Hurley join forces for the original score to the 2023 Sundance-premiering feature film Divinity. Equal parts sonically punishing and ethereal, the soundtrack delivers a unique punch that further intensifies the mind-bending, acid-trip experience of the film.

Divinity is a sci-fi dystopian odyssey produced by Steven Soderbergh and helmed by visionary director Eddie Alcazar. Set in the distant future, scientist Sterling Pierce dedicated his life to the quest for immortality, slowly making progress developing a serum named Divinity. Jaxxon Pierce, his son, now controls and profits from his father’s once benevolent dream. Society on their barren planet has been entirely perverted by the supremacy and pervasiveness of the drug. Two mysterious brothers arrive with a plan to abduct the mogul, and with the help of a woman named Nikita, they set on a trajectory hurtling toward true immortality.

Amidst the film’s extraordinary tapestry of stark aesthetics and themes, the score is a ten ton barbell of sonic weight. Crafted with 8-bit samplers, Wavestation synths, extended choir and string techniques, the soundtrack manages to swing wildly between the arenas of both music and sound design. Like all rich soundtracks, listening to the score on its own re-conjures the imagery of the film in the screen of the listener’s mind, an aural experience that manages to encapsulate and pulse a matched intensity of the film.

Tracks like ‘The Brothers’ and ‘Reflective Dreams’ cascade Vangelis-esque tones, painting with broad strokes of cinematic grandeur and ethereal wonder. ‘Main Titles’ and ‘InfinityTechno’ conversely swing hard into relentless, punishing sonics; with brutal, pulsing energy representative of the twisted, relentless pursuit of immortality. A standout of the album is undoubtedly “Divinity 2 Infinity: The Odyssey,” featuring cult hip-hop hero and lyrical-savant Kool Keith. Written for the film’s end credits, the track is a satisfying throwback to the 90’s original soundtrack cut bespoke-tailored to the film’s narrative themes.

DJ Muggs and Dean Hurley’s synergy yields a soundtrack that takes Divinity beyond the screen and into a multi-dimensional experience, inviting its listener along uncharted aural terrain for an unforgettable odyssey in sound.

Renowned musician and producer Joe Jackson unveils his latest artistic endeavour 'What A Racket!' – a new album reviving the songs of enigmatic early 20^th-century English Music Hall artist Max Champion.

Music Hall (along with its American cousin, Vaudeville) was the first form of mass entertainment created by the working classes. Its raw beginnings were in the pubs and streets of mid-19^th century London, and while never really considered ‘respectable’, it was, by 1900, performed in opulent theatres to huge audiences drawn from all walks of life. Prostitutes and princes alike sang along with superstar performers, many of whom are now legendary, and whose songs are still known in the UK.

Those songs, depicting everyday life in the Victorian and Edwardian eras, were most often humorous or satirical, though some were sentimental or patriotic, and others dealt with darker themes such as jealousy and murder. Many were also blatantly sexual, though always expressed in clever euphemisms and double entendres.

One of the most fascinating of the later Music Hall performers was Max Champion. Little is known about him, except that he was born in 1882 in London’s East End, and is thought to have been related to the great Victorian entertainer Harry Champion. As an up-and-coming performer he shared the stage with big stars such as Gus Ellen and Vesta Tilley, but his career (much like the Music Hall era itself) was cut short by the First World War, and his songs faded into obscurity. That is, until 2014, when Max Championsheet music started to surface: first in Malta, then in England, and, intriguingly, in Belgium, where Max probably met his end in the trenches. By 2019, enough songs had been recovered for Joe Jackson to resurrect them with a 12-piece orchestra.

'What A Racket!' presents eleven of Max Champion’s songs for the first time in more than a century. According to producer Joe Jackson, ‘These were wonderful songs in their time, but they’re surprisingly modern, too. Sometimes it’s almost as if Max is speaking, from his London of the early 20^th century, directly to us in the early 21^st.’

Members from The Offspring, Smash Mouth, The Mighty Mighty Bosstones, Street Dogs and The Briggs have united to form the new band THE DEFIANT! The members of The Defiant are no strangers to success as individuals but as a group their music stands for so much more on both a personal and professional level. Together the five members create a rock ’n’ roll pedigree that culminates into a riot of melodic punk. The Defiant will release their twelve-song debut album this October with touring to follow. The Defiant is: Pete Parada on drums (The Offspring), Greg Camp on guitar (Smash Mouth), Johnny Rioux on bass (Street Dogs), Joey LaRocca on guitar and keys (The Briggs) Dicky Barrett front and center (The Mighty Mighty Bosstones)

In the world of good ol' rock 'n' roll, Pittsburgh's Ghost Hounds stand out from the pack with a new spin on the traditional approach of classic rock. On their new album, First Last Time, the band channels a combination of the blues, Southern rock and Americana flavors that would light up mainstream rock radio at any point in time over the last 50 years.Much like their label, Gibson Records, Ghost Hounds are every bit as timeless as they are fresh and modern. They seamlessly manage to blur the lines between the new and the old, and it's all done with such masterful artistry and storytelling that it's hard to believe that First Last Time is only their fourth full-length album as a band. - SPIN Magazine