Three long out-of-print EPs, two available for the first time on vinyl. Packaged together with an EP of brand new material. Pressed on opaque galaxy vinyl with four album-sized art cards of remastered artwork by long-time collaborator Alex Deamon.

SIDE A
01. Another Day
02. Essex
03. Lamplight
04. Computer Love

SIDE B
01. Project Loop
02. Glisten
03. Six AM
04. Off White Room

SIDE C
01. Spinning Makes Me Dizzy
02. Auras
03. Micro Melodies
04. Belladonna
05. Voyager

SIDE D
01. MD 5
02. MD 2
03. MD 4
04. MD 6
05. Never Held a Baby (feat. Peter Broderick)

The concert recorded at Hammersmith Odeon in London on 26th March 1977, was one of the stand-outs from that memorable tour and it has been mixed by Stephen W. Tayler and is presented here on vinyl for the very first time. The recording reveals the improvisational side of Be Bop Deluxe, particularly on pieces such as “Shine” and “Blazing Apostles” which made each Be Bop Deluxe concert unique. Cut at Abbey Road Studios and pressed on white vinyl, this special Record Store Day limited edition release is a fitting tribute to a fine live band and the creative vision of Bill Nelson.

S1 - INTRODUCTION-BLIMPS, 2 LIFE IN THE AIR AGE, 3 FAIR EXCHANGE, 4 PIECE OF MINE, SISTER SEAGULL S2 - 1 MILL STREET JUNCTION, 2 SHIPS IN THE NIGHT, 3 SWANSONG, 4 MAID IN HEAVEN S3 - 1 SHINE, 2 ADVENTURES IN A YORKSHIRE LANDSCAPE S4- BILL NELSON'S INTRODUCTION, 2 TWIGHLIGHT CAPERS, 3 MODERN MUSIC SUITE  S5 - 1 FORBIDDEN LOVERS, 2 TERMINAL STREET S6 - 1 BLAZING APOSTLES

Paul Butterfield met aspiring blues guitarist Elvin Bishop in the early 1960s and with bassist Jerome Arnold and drummer Sam Lay (both from Howlin Wolf’s touring band), the new group secured a highly successful club engagement at Big John’s Folk Club in Chicago, bringing them to the attention of producer Paul A. Rothchild. During their engagement, Butterfield met and occasionally sat in with guitarist Mike Bloomfield. Rothchild was impressed with the chemistry between the two and having persuaded Paul to bring Bloomfield into the band, eventually signed them to Elektra Records in 1964. This Deluxe 3LP expanded edition of The Paul Butterfield Band’s lost sessions from the 1964-1966 era features the classic line-up working through blues classics. It is the first time this killer collection is available on vinyl and is expanded to include unreleased demo and alternate tracks recently found in the Warner Vaults.

Featuring a previously unreleased live version of the all-time classic song, recorded at Royal Albert Hall in 1970.  The b-side is a live version of the classic "Who'll Stop the Rain" recorded in Oakland in 1970.


Side A: "Travelin' Band (Live at Royal Albert Hall, 1970)" / Side B: "Who'll Stop the Rain (Live at Oakland Coliseum, 1970)"

This double LP release features one of Miles Davis’ final great bands: John Scofield on guitar, Bill “The Other Bill Evans” Evans on saxophones, flute and electric piano, Darryl Jones on bass, Al Foster on drums, and percussionist Mino Cinelu. Miles was back in amazing form (“incandescent and iridescent as ever,” critic Greg Tate noted), when he mounted the stage at the Theatre St-Denis during the Festival International De Jazz De Montreal in July 1983, and this revelatory performance has been lovingly mixed and mastered for its first ever release, on vinyl for Record Store Day 2022. (A CD will be part of the next edition of the Miles Davis Bootleg Series, focusing on the 1981-1985 period, later in the year.)

What It Is includes tracks from that year’s release Star People, the Marcus Miller tune “Hopscotch” and the song “Jean-Pierre” that appeared on 1982’s We Want Miles. The recordings of “What It Is” and “That’s What Happened” were so well thought of by Miles that he utilized them for his 1984 release Decoy, but in heavily edited form and this release would include the first release of them in complete form. Packaged in beautiful gatefold packaging, the album features liner notes penned by the incomparable music journalist Greg Tate and represent some of his final writing.


Side A
1. Speak (That’s What Happened)
2. Star People

Side B
1. What It Is
2. It Gets Better

Side C
1. Hopscotch
2. Star On Cicely
3. Jean-Pierre

Side D
1. Code 3
2. Creepin’ In

Fresh from his Alternative/Rock Award at the BRITs, Sam Fender releases a special Record Store Day 7" single of his tracks “Alright” and “The Kitchen (Live).” Pressed on white vinyl.

Side A: Alright
Side B: The Kitchen (Live from Newcastle)

In The Country is Furay’s 9th solo album, standing apart from his collaborations with groundbreaking groups Buffalo Springfield and Poco.

1. Somebody Like You
2. I Hope You Dance
3.Take Me Home, Country Roads
4. She Don't Know She's Beautiful
5. Your Love Amazes Me
6. I'm In A Hurry (And Don't Know Why)
1. Lonesome Town
2. Walkin' In Memphis
3. I'm Already There
4. The River
5. In This Life
6. Chalk

Recorded at the Hammersmith Apollo, London, 23 & 24 March 2011 and originally released the following year, Live Blood is exactly what its name suggests – the live incarnation of Peter Gabriel’s New Blood project where he reworked a chunk of his back catalogue for a 46-piece orchestra.

“I was determined that it shouldn’t be just a sort of ‘Hits goes to the Orchestra’. So we did two things different: one was to try to choose songs that were more textural, more journey songs, more evocative, ambient pieces and less the obviously structured pop songs, and the second thing we did was, we threw away the rock band; most people when they do orchestral projects keep the rock band and add orchestra, but we took away guitar, we took away bass, we took away drum kit, and in a way that meant that we were more committed and had only to use the colours of the palette of the orchestra.”

The album has been Half-Speed Remastered and cut to lacquers at 33RPM, across 3x heavyweight LPs, pressed on blood red vinyl.

Vinyl cut by Matt Colton at Metropolis Mastering and overseen by Peter’s main sound engineer Richard Chappell. The album comes in a gatefold sleeve with full colour printed inner bags and a download card with a choice of digital download (Hi-Res 24bit or 16bit).

Side A
1 Intruder
2 Wallflower
3 The Boy in the Bubble
4 Après Moi

Side B
1 The Drop
2 Washing of the Water
3 The Book of Love
4 Darkness
5 The Power of the Heart

Side C
1 Biko
2 San Jacinto
3 Digging in the Dirt
4 Signal to Noise

Side D
1 Downside Up
2 Mercy Street
3 The Rhythm of the Heat

Side E
1 Blood of Eden
2 Red Rain
3 Solsbury Hill

Side F
1 In Your Eyes
2 Don’t Give Up
3 The Nest that Sailed the Sky

A unique die-cut single in the shape of a headstone! 

Side A "Back From The Dead"
Side B "Long Live Rock"

In the summer of 1970, Linda Hoover, then 19, entered Manhattan’s Advantage Sound Studio to cut her first album with Gary Katz, Walter Becker and Donald Fagen leading a team that also included guitarists (and future Steely Dan members) Denny Dias & Jeff “Skunk” Baxter, and Eric Weissberg, saxophonist Jerome Richardson, plus members of the Dick Cavett Orchestra.

I Mean To Shine includes three original compositions by Linda alongside The Band’s “In A Station” (from Music From Big Pink) and Stephen Stills’ “4+20” (which appeared on CSN&Y’s Déjà Vu). Almost half of the album was penned by the pre-Steely Dan songwriting duo of Becker and Fagen, including what would become the album’s title track. After creating a wonderful record, album cover photos were taken and then it all fell apart.

The release was shelved over a business disagreement and if that wasn’t heartbreaking enough, Hoover learned that Barbra Streisand also recorded “I Mean To Shine” (which would appear on her album Barbra Joan Streisand). Streisand’s album hit #11 and went gold. For the production team of Katz, Becker, and Fagen one success built on another and they were hired to staff positions at ABC-Dunhill Records in Los Angeles.

Hoover continued to pursue musical opportunities in New York, but with her creative team gone and no record release to show for their collective efforts, she wound up returning to her parents’ house in Florida. However, she did take a tape copy of her album home with her.

Now, with the blessing from Hoover and original producer Katz, the previously unissued album, I Mean To Shine finally sees the light of day and even features the proposed 1970 cover shot by Joel Brodsky (whose work at that time had already graced the covers of releases from The Doors, Van Morrison, The Stooges, and more). The album has been produced for release by Linda, Jay Willingham, and Grammy®-winner Cheryl Pawelski with audio restoration and mastering by Grammy®-winning engineer Michael Graves. Scott Schinder’s liner notes are informed by new interviews with Hoover and Katz.

Side A
1) I Mean To Shine
2) Turn
3) Roaring Of The Lamb
4) Roll Back
5) Autumn
6) Jones


Side B
1) In A Station
2) Mama Tears
3) City Mug
4) 4 + 20
5) The Dove

This EP sees “Baggy Trousers” get its first outing as a 12”,  with five additional tracks. Cover art is the iconic Humphrey Ocean cover illustration that graced the original 7” single in 1980.

SIDE A
1. Baggy Trousers (2009 – Remaster)
2. Le Grand Pantalon (Baggy Trousers)
3. Disappear (Remastered)
SIDE B
1. The Business
2. That’s The Way To Do It
3. On The Beat Pete (Remastered)

A long-overlooked gem from the Fantasy Records vaults, the 1972 album Sister Woman finds Esther Marrow incorporating socially-conscious lyricism with a blend of jazz, gospel, and R&B influences, backed by an all-star line-up of musicians including drummer Bernard Purdie, guitarist Cornell Dupree, and bassist Chuck Rainey. Back on vinyl for the first time since its original release, this reissue features all-analog mastering from the original analog tapes by Kevin Gray at Cohearent Audio and is pressed on 180-gram black vinyl at RTI. Housed in a tip-on jacket.

Side A:
1. Woman In the Window
2. Ghetto
3. Trade Winds
4. Turn On To Jesus
Side B:
1. Rainy Night In Georgia
2. Things Ain't Right
3. Ask Me To Dance
4. And When I Die

Linda Martell was the first African-American woman to make the country charts and to appear at the Grand Ole Opry, and helped lay the groundwork for future artists of color in the genre. Despite multiple TV appearances, a dozen appearances at the Opry, and some big hits - including "Color Him Father", "Before the Next Teardrop Falls" and "Bad Case of the Blues" - her 1970 debut album, Color Me Country, would also be her last. Now the album is being remastered for its first vinyl pressing in over half a century. Org Music’s reissue was mastered by Dave Gardner at Infrasonic Mastering and pressed on color vinyl at Furnace Record Pressing, exclusively for Record Store Day 2022.

1 Bad Case Of The Blues
2 San Francisco Is A Lonely Town
3 The Wedding Cake
4 Tender Leaves Of Love
5 I Almost Called Your Name
6 Color Him Father
7 There Never Was A Time
8 You're Crying Boy, Crying
9 Old Letter Song
10 Then I'll Be Over You
11 Before The Next Teardrop Falls

Seven tracks from the latest self-titled My Morning Jacket album recorded solo at the famed RCA Studios in Nashville by Jim James. 

1. Complex 2. Never In The Real World 3. Lucky To Be Alive 4.In Color 5. Regularly Scheduled Programming 6. Love Love Love 7. Out of Range

The Gold Experience was the first full-length Prince album to be credited to his unpronounceable symbol, and was released at the most public, heated stage of his battle with the major label industrial complex. With the word “SLAVE” written on one cheek, Prince shined on the opulent ballads “The Most Beautiful Girl in the World” and “Gold” and the defiant single “Eye Hate U,” and the album earned widespread critical acclaim.

The Record Store Day 2022 re-release of The Gold Experience is an homage to the rare US-only promo version of the album released in 1995. The two-LP set is pressed onto translucent gold vinyl with a bonus suite of “Eye Hate U” remixes on Side D.

Side A
1. P Control
2. NPG Operator #1
3. Endorphinmachine
4. Shhh
5. We March

Side B
1. NPG Operator #2
2. The Most Beautiful Girl In The World
3. Dolphin
4. NPG Operator #3
5. Now
6. NPG Operator #4
7. 319

Side C
1. NPG Operator #5
2. Shy
3. Billy Jack Bitch
4. Eye Hate U
5. NPG Operator #6
6. Gold

Side D
1. Eye Hate U (Extended Remix)
2. Eye Hate U (Album Remix)
3. Eye Hate U (Quiet Night Mix)
4. Eye Hate U (Single Version With Guitar Solo)
5. Eye Hate U (Single Version Without Guitar Solo)

Specially created RSD exclusive double cassette release featuring Keith Richard's debut solo album, Talk Is Cheap and the live release from the Talk Is Cheap tour, Live At The Palladium

Talk Is Cheap

Side 1
1. Big Enough
2. Take It So Hard
3. Struggle
4. I Could Have Stood You Up
5. Make No Mistake
6. You Don't Move Me

Side 2
1. How I Wish
2. Rockawhile
3. Whip It Up
4. Locked Away
5. It Means A Lot

Live At The Hollywood Palladium

Side 1
1. Take It So Hard
2. How I Wish
3. I Could Have Stood You Up
4. Too Rude
5. Make No Mistake
6. Time Is On My Side

Side 2
1. Big Enough
2. Whip It Up
3. Locked Away
4. Struggle
5. Happy
6. Connection
7. Rockawhile

A blue vinyl EP, including rarities like the film soundtrack version of “East Is East”, an extended mix of “Moving”, and a previously unreleased live version of “Absolute Radio”.

SIDE A 1. Moving (East Is East Movie Mix, 1999) 2. Believer 3. Faraway (Acoustic) SIDE B 1. Lucky (No Fear) 2. You Too Can Play Alright 3. Moving (Absolute Radio Live Session, January 24, 2020)

During this famous concert, which features the iconic 1975 line-up of Edgar Froese, Chris Franke and Peter Baumann, Tangerine Dream performs for the first time the "Ricochet" album. This deluxe double LP package includes an OBI strip, double album jacket, printed inner sleeves a two special zootrope picture-discs.

Opera Reims Part. 1 | Opera Reims Part. 2 | Opera Reims Part. 3