Sob Rock is the new album from John Mayer, and this collection marks the artist’s eight full length studio album. Sob Rock is produced by John Mayer and Don Was, and most of the album was recorded during the global pandemic of 2020- 2021. The album was launched with the single and video, “Last Train Home.”
John Mayer emerged in 2001 with his debut album, Room For Squares. He has sold over 20 million albums worldwide, including three # 1 debuts on the Billboard Top 200 with the triple platinum Heavier Things in 2003, the double platinum Battle Studies in 2009, and the gold certified Born and Raised in 2012. His 2017 album, The Search For Everything, debuted at # 2 on the Billboard Top 200, and has also been certified gold. Additionally, he has earned 7 Grammy® Awards.
Debut album from Cleveland born, NYC-based multi-instrumentalist, producer, singer-songwriter, and artist Cautious Clay. Deadpan Love, which includes previously released singles “Roots,” “Dying In The Subtlety,” and “Agreeable,” warps influences from R&B, Hip Hop and Indie Pop in Cautious’ trademark sophisticated songwriting and jazz- and blues-inflected instrumentation. “Deadpan Love explores the ways I cope with the worst of what humanity has to offer,” says Cautious. “It’s about opposites—having an outer layer that’s tougher, this “deadpan” state, and an inner layer of compassion, where you’re open to being there for the people you care about. It’s this warring compassion and cynicism that has empowered me to express myself through this medium.”
200 km/h in the Wrong Lane, also titled t.A.T.u. in Japan, is the second, and first English-language, studio album by Russian music duo t.A.T.u., released on 10 December 2002, by Interscope Records. Coke Bottle Clear LP
The explosion of indie Hip Hop labels in the early 90s resulted in an ongoing snowball effect that started to shift the narrative around an artist’s need to sign to a major label. Coincidentally, quality home recording equipment was also becoming more easily accessible and, with the rising popularity of CD-R technology, this allowed artists to write, record, and manufacture their own albums right at home.
Appleseed was a highly celebrated and influential release from that era, cementing Aesop Rock as a new face whose talent could not be denied. The album explores creative concepts with inventive writing and stripped-down yet melodic and melancholic production. Six out of the eight songs were produced byAesop Rock, with OmegaOne producing “Sick Friend” and longtime collaborator Blockhead handling “1000 Deaths”, and the project’s sole guest lyricist was Doseone.
The DIY process was followed in every aspect, as Aesop himself recalls, “I did the Appleseed hand style while working at Tepper Galleries in NYC. The cover was made at Kinko’s. The first Appleseed CD’s were CD-R’s I duped at home and sold from my backpack at an MF DOOM show at Brownies, which was right below my apartment at the time. I continued to sell hand to hand inNY, while Blockhead started fielding some mail orders from a young internet. People would send us cash or a check, and he’d cut the covers out and mail them off.“
The two of them were able to move a couple thousand CDs that way before turning their attention to newer projects, particularly Float in Aesop’s case. As a result, Appleseed went out of print for many years before resurfacing as a merch item on tour. However, in all that time it was only available on CD, directly from Aesop.
Finally, 21 years after its debut, Appleseed officially returns, now available on vinyl for the first time!
Acid Dad is an American alternative-rock band composed of singer-guitarists, Vaughn Hunt and Sean Fahey, and drummer, Trevor Mustoe. Vaughn first started recording the band in his Bushwick, NY basement releasing singles “Brain Body” and their first EP “Let’s Plan a Robbery.” Appearing live in the New York City rock scene in 2016, Acid Dad quickly moved to a world stage with their self-titled debut album, released by Greenway Records in 2018.
During 2020, the band spent their time building a new studio space in Queens, NY, while continuing to independently produce all their own music, art and even building their own guitars. With a new space and vision, the band produced their second LP, “Take It From The Dead,” set to be co-released in June 2021 by Brooklyn’s Greenway Records and psych powerhouse LEVITATION’s label, The Reverberation Appreciation Society.
“Take It From The Dead” features an array of different influences ranging from 90’s neo-psych, modern post-punk and 70’s rock-n-roll. Acid Dad has crafted a record that sounds new, yet feels nostalgic. In contrast to their earlier work, they make use of slower tempos and expand their sound to include songs that are both more intricate and more hypnotic. To accompany the new record, the band spent the last year collaborating with video artist Webb Hunt, producing psych and glitch art videos that form a visual counterpart to the dreamy distortions of their sound.
At the top of 2020, after a year of traversing the globe in support of 2019’s Run Fast Sleep Naked, Nick Murphy began creating music that simply felt good. Though the singer had retired his billionstreaming Chet Faker project four years prior, the new songs he was working on in his New York City studio had an energy reminiscent of his earlier work. Reviving the project “wasn’t on my radar” at the time, Murphy admits, but the next thing he knew, he had a full album. The result is Hotel Surrender, a radiant 10-track LP full of swaggering bass lines and electrifying melodies that reintroduces Chet Faker to the world – and to Murphy himself. Like his debut LP, 2014’s Built on Glass, Murphy wrote and produced Hotel Surrender solely on his own, finishing most of the songs before COVID-19 hit in March 2020. He admits that before Hotel Surrender, he had never approached his process with such ease. This time, as the album title suggests, he surrendered to the music. “There was this, like, unconsciousness—not thinking, but just feeling, letting it come out and letting it steer itself,” Murphy says. “The great lesson for me was that I could write from a place of joy. I was also just being kind to myself. None of this music was hurting, it just felt good. It made me feel better, and it helped me be better.”
A much-deserved and open armed 20th anniversary celebration of Opeth’s magnum opus. Two decades in and still a breath-taking piece of work, dense with extraordinary melodic moments, spine-tingling atmospherics and agile but crushing heaviness, and one that saw the Swedish metallers kick open prog’s ornate doors, fed death metal through the cosmic kaleidoscope and introduced a generation of music nerds to a world of limitless musical possibilities. The reissue comes lovingly pressed with a variety of deluxe finishes and housed in a gatefold artwork sleeve, with updated liner notes and acknowledgements. The deluxe hardcase CD comes furnished with an updated artwork booklet complete with new liner notes, never seen before memories from the band, and exclusive content provided by the Opeth fanbase. It remains a must for Opeth enthusiasts, completists and casual listeners alike.
Hologram is the first release from New York Post-Punk legends A Place To Bury Strangers on their own newly formed label, Dedstrange. Hologram is the follow up to their highly regarded fifth album, Pinned, and is a sonic return to A Place To Bury Strangers’ rawest, most unhinged sound. With songs addressing the decay of connections, friendships lost, and the trials and tribulations of these troubled times, Hologram serves as an abstract mirror to the moment we live in. Written and recorded during the on-going global pandemic and in the midst of the decline of civilization, Hologram is a sonic vaccine to the horrors of modern life.
Demon Records presents Distortion: Live, the fourth and final edition in a series of expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould. Bob Mould’s career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. The final volume in the series features 8LPs of live recordings from across Mould’s solo career.
Red Rocks 2020 covers an amazing range of music from Nathaniel Rateliff’s celebrated career, including several jewels from his solo albums (And It’s Still Alright, In Memory of Loss, Falling Faster Than You Can Run, Shroud EP) and “Still Out There Running,” a haunting track from Tearing at the Seams, his much-loved 2018 LP with the Night Sweats. Also, Kevin Morby joins Rateliff and the band for an amazing version of Leonard Cohen’s “There Is a War.”
Rock ‘n’ roll is often hard to define, or even to find, in these fractured musical times. But to paraphrase an old saying, you know it when you hear it.
And you always hear it with The Wallflowers. For the past 30 years, the Jakob Dylan-led act has stood as one of rock’s most dynamic and purposeful bands – a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades, baked into the grooves of smash hits like 1996’s Bringing Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over.
But while it’s been nine long years since we’ve heard from the group with whom he first made his mark, the Wallflowers are silent no more. And Dylan always knew they’d return. “The Wallflowers is much of my life’s work,” he says simply. That life’s work continues with Exit Wounds, the brand-new Wallflowers studio offering. The collection marks the first new Wallflowers material since Glad All Over.
Exit Wounds, which, true to its title, is an ode to people – individual and collective – that have, to put it mildly, been through some stuff.
“I think everybody – no matter what side of the aisle you’re on – wherever we’re going to next, we're all taking a lot of exit wounds with us,” Dylan says. “Nobody is the same as they were four years ago. That, to me, is what Exit Wounds signifies. And it's not meant to be negative at all. It just means that wherever you’re headed, even if it’s to a better place, you leave people and things behind, and you think about those people and those things and you carry them with you. Those are your exit wounds. And right now, we’re all swimming in them.”
This LP finally brings a Clipping fan-favorite, 2016’s Wriggle, onto vinyl in an improved, expanded version that features new art, previously unreleased remixes, and a track that’s exclusive to the vinyl format.
The original, digital-only Wriggle EP was six tracks that weren’t finished in time to make it onto the group’s 2014 Sub Pop debut, CLPPNG. For “Shooter,” Clipping recorded themselves firing fifteen dierent guns, the sounds of which exclusively constituted the beat’s drums, augmented only by a synthesized tone-row. The verses referenced the well-worn technique of “hashtag rap,” but instead of using it to boast about the rapper’s personal wealth and masculine prowess, Clipping put forth imagistic narratives of three violent encounters. True to much of the group’s music, “Shooter” was an attempt to reframe a familiar style and test the limits of its formal capabilities. “Hot Fuck No Love” contains what might be the most explicit verse to date from Clipping’s favorite New Jersey rapper Cakes Da Killa. The EP’s title track, “Wriggle,” was built around a sample of the influential power-electronics song “Wriggle Like a Fucking Eel” by Whitehouse, transforming William Bennett’s torturous imperative into a instructional dance-floor banger. “Wriggle” and “Shooter” have become classic Clipping tracks and staples of their live show.
With this vinyl edition, Clipping fans old and new - and there are many new fans thanks to their breakout 2020 album, Visions of Bodies Being Burned, and Daveed Diggs’ thriving acting career - get the vinyl version of Wriggle they’ve been clamoring for.
With her musical project Half Waif, Nandi Rose dives deep into the waters of artistic expression by layering evocative vocals and synths to create a powerful form of pop music. On Mythopoetics, Rose ex- plores a full spectrum of sounds that sparkle with memorable hooks, otherworldly production and uplifting grooves. “This is the record I’ve been trying to make for 10 years,” Rose says.
Previous albums The Caretaker (2020) and Lavender (2018) garnered acclaim for their compelling journeys through solitude, desire and the search for independence. Half Waif declares a new chapter on Mytho- poetics, a collection of 12 new songs – mythical stories that transcend time, each sung with a glorious contralto wrapped up in synths and electronic percussion, and her lyrical piano serving as the backbone. It is an essential reminder that we have the power to shape the stories we tell and the myths we make of our lives. This is music that you feel.
Oliver Wood is a testament to slow and steady wins the race. Born and raised in Boulder, Colorado, he relocated to Atlanta in his early twenties to pursue a career in music. Gaining a reputation over a ten year period as one of the premier working musicians on the local Georgia music scene, he was invited to join blues legend Tinsley Ellis’ road band. From there, Oliver would form his own group, King Johnson, who’d build a loyal regional following. When opening for his brother Chris’ band, Medeski Martin & Wood, he was invited to sit in, which instantly reminded them of the deep musical bond they shared. Soon thereafter, The Wood Brothers were born. They’ve since gone on to release seven studio albums, perform high profile shows from Red Rocks to Bonnaroo and earn a Grammy Award-nomination.
Until the release of “Soul Of This Town” and “The Battle Is Over," in 2020, Oliver had never stepped out under his own name as a solo artist. 'Always Smilin'' is a strong opening statement from Oliver as a solo artist, and one that sets him apart as an accomplished singer and songwriter outside of his day job with The Wood Brothers.
Almost 50 years after the sessions that would make them an “accidental Texas supergroup” (Rolling Stone), The Flatlanders have returned with Treasure of Love, their first new album in more than a decade. Completed during COVID-19 lockdowns with the help of longtime friend and collaborator Lloyd Maines, the record finds the iconic trio of Joe Ely, Jimmie Dale Gilmore, and Butch Hancock in classic form, serving up a rollicking collection of twang-fueled, harmony-laden performances full of wry humor and raw heartbreak. While a few songs here are never-before-heard originals, the vast majority of the tracklist consists of tunes the band picked up during their half-century together, some stretching as far back as the group’s earliest performances in the honkytonks around Lubbock, TX, where you might have spotted Willie Nelson or Townes Van Zandt in the audience.
Largely ignored by press and radio, the initial incarnation of The Flatlanders lasted only a few years before disbanding in 1973. In the decades to come, however, Ely, Gilmore, and Hancock would all go on to considerable success as solo artists, and with the 1990 reissue of their long lost debut, The Flatlanders finally received their due. Critics hailed them as visionaries and craftsmen of the highest caliber (The New York Times dubbed their first LP a “founding document of the alternative country movement”), and the trio would spend the next 30 years collaborating and touring on and off again to widespread acclaim.
1 CD, 1 Limited Edition Poster (2 versions), 1 Photo Book (2 versions), 2 Lyric Cards, 1 Photo Card (1 of 8 each random), 1 Instant Photo Card, 1 Graphic Sticker (2 versions), 1 Folded Message Card (1 of 7 each random), 1 Photo Stand (2 versions). All sales count towards the Korean Hanteo and Gaon charts. Sales will not count toward the US Billboardcharts.
Originally conceived as a medium for Chicago-based multi-media artist/activist Damon Locks’s sample-based sound collage work, Black Monument Ensemble (BME) has evolved from a solo mission into a vibrant collective of artists, musicians, singers, and dancers making work with common goals of joy, compassion, and intention. A genuinely multi-generational collective, ages of BME members range from 9 to 52 years old; members include instrumentalists and fellow IARC recording artists Angel Bat Dawid and Ben LaMar Gay. Their debut album Where Future Unfolds was released in 2019 by International Anthem glowing praise; landing at #3 on Bandcamp’s “Best Albums of the Year,” #25 on WIRE Magazine’s “Best Albums of 2019,” and being repeatedly dubbed “The Best Album of 2019” by BBC/Worldwide radio titan Gilles Peterson.
Locks & BME’s new album NOW was created in the final throes of Summer 2020, following months of pandemic-induced fear & isolation, the explosion of social unrest, struggle & violence in the streets, and as the certain presence of a new reality had fully settled in. Set up safely in the garden behind Chicago’s Experimental Sound Studio, the music was recorded in only a few takes, capturing the first times members of BME had ever played or sang the tunes. For Locks, the impetus was more about getting together to commune and make art than it was about producing an album. In his words: “It was about offering a new thought. It was about resisting the darkness. It was about expressing possibility. It was about asking the question, ‘Since the future has unfolded and taken a new and dangerous shape... what happens NOW?’”
Celebrating 20 years of the Academy Award winning film by Cameron Crowe, the Grammy® winning Almost Famous soundtrack is reissued as a deluxe 2CD with 35 songs from the film including Stillwater, Led Zeppelin, Fleetwood Mac, and many more. Unreleased songs: “Tiny Dancer (Almost Famous Version)” with Elton John & cast and the unique mix & edit for The Who’s “Amazing Journey / Sparks (Almost Famous Version).” Newly expanded artwork includes unreleased photos and an introduction by Cameron Crowe.
MARCO VEZZOSO and ALESSANDRO COLLINA, the jazz duo that has conquered the countries of the Rising Sun!The disc collects 10 of the most beautiful songs of Italian music reinterpreted in a refined instrumental version for trumpet, piano, and percussion. The artists offer a skilful reinterpretation of unforgettable pieces, creating a generational bridge between pop music and jazz.This live version is also a tribute to the artistic partnership between Vezzoso and Collina, which began in Japan and reached China via Cambodia, Indonesia, and Malaysia.In the 'Italian Spirit live' project we decided to invite the percussionist Andrea Marchesini. Andrea is a highly talented and experienced musician who, like us, loves contamination between genres. It was therefore easy for us to integrate Andrea's artistic vein, who adapted very well to our playing. Indeed, he did much more, enriching the pieces with rhythmic details, sometimes almost melodic, without ever being invasive.Since their first musical meeting in 2014, the duo formed by the Piedmontese trumpeter Marco Vezzoso (who since 2012 lives and teaches at the National Conservatory of Nice) and the jazz pianist Alessandro Collina has come a long way. They have 5 albums, numerous concerts between France and Italy and several international tours. In 2015 their first tour in Japan, "Live in Osaka" was recorded and released from a Japanese label. In 2017, a long summer tour takes them to perform in Cambodia, Indonesia and again in Japan, with a closing concert in Tokyo. In 2018 a new tour in Indonesia and Malaysia and a series of concerts in the Czech Republic. In 2019 2 tours in China where they represented Italy at the first edition of the European jazz festival in Guangzhou and a tour in Norway, followed by one in Turkey. The duo ranges from a repertoire of great classics of past and contemporary Italian music to revive emotions in Italians far from their homeland. The interplay and harmony between the musicians, creates an intense musical continuum with a strong emotional impact, which guides the audience on a musical journey within the universe of the duo turned trio.
In front of 1.5 million people, one of the biggest free concerts in history, The Rolling Stones' performance on February 18, 2006, in Rio de Janeiro was a historic event. Fully restored and remastered from their A Bigger Bang World Tour, this includes 4 unreleased tracks: "Tumbling Dice," "Oh No, Not You Again," "This Place Is Empty," and "Sympathy For The Devil." Entire concert on SD Blu-Ray and 2 CDs. 8-panel Digi-Pak. 16-page book.
Three CDs. Little Steven and the Disciples of Soul filmed the final night of their Summer of Sorcery tour in November 2019 at the Beacon Theatre in New York City, NY. The concert audio and bonus tracks are available here on this set.
The infamous MAYHEM return this year with an outstanding EP called "Atavistic Black Disorder / Kommando" with additional material from the "Daemon" session, including a homage to bands that laid the foundation for what was to come! The EP will be released on July 9th.
The lords of darkness have dug deep and reflected their influences to create a musical odyssey that shows them multifaceted in several ways.
For this goal, cover versions of bands like DISCHARGE, DEAD KENNEDYS, RUDIMENTARY PENI and RAMONES were chosen, which in typical MAYHEM manner impressively fit into their bursting and darkened sound.
The band also recruited BILLY MESSIAH and MANIAC, who took over vocal performances on two songs!
In addition to the named cover versions, a previously unreleased track called "Voces Ab Alta" is featured on the EP, which continues the musical journey alongside "Black Glass Communion" and "Everlasting Dying Flame", which were used as bonus tracks for the 2019 album "Daemon".
The EP thus closes the capital, which was opened with the release of "Daemon" back in 2019 and illuminates the band once again in typical unusual and surprising-sounding way.
The visual concept was once again handled by Italian designer Daniele Valeriani (Lucifer's Child, Dark Funeral) who already took care of the artwork for their previous long player "Daemon".
The band comments:
"I always had some punk influences," says Attila. "I guess it comes from my childhood when we were constantly looking for more extreme music. That's how I discovered Dead Kennedys, GBH, The Exploited, Sex Pistols, U.K. Subs, Discharge, Rudimentary Peni and so on, in the early 80's, alongside heavy metal. But then I discovered Venom, that was a game changer!"
Century Media - ATAVISTIC BLACK DISORDER / KOMMANDO - EP / MAYHEM
Irish rock band Inhaler’s debut album ‘It Won’t Always Be Like This’ is a record that sees Elijah Hewson, Josh Jenkinson, Robert Keating and Ryan McMahon turn their early promise into something special - an album teeming with expansive indie-rock grooves and soaring anthems. Includes the single ‘Cheer Up Baby’, a swooping, epic singalong alongside newly recorded versions of early fan favorites ‘My Honest Face’ and title track ‘It Won’t Always Be Like This.’
Angel Dream is a special reimagining of the album She’s The One to celebrate the 25th anniversary of its original release. This also brings to a close the celebration of Tom Petty’s masterpiece Wildflowers, as most of the songs on this album were recorded during the same time period. She’s The One included some songs that were left off the original Wildflowers album, recently included in the Wildflowers & All The Rest re-issue. To take the place of those songs, four previously unreleased songs have been added here – two Petty originals (“105 Degrees” and “One of Life’s Little Mysteries”), a cover of JJ Cale’s “Thirteen Days”, and the instrumental “French Disconnection”. An extended version of “Supernatural Radio” is also included. The album has been remixed & remastered and brand new cover art commissioned – emphasizing that this is a Tom Petty & The Heartbreakers album, rather than a soundtrack album.
The Go! Team return with Get Up Sequence Part One featuring the singles 'Cookie Scene', 'World Remember Me Now' and 'Pow'. On Get Up Sequence Part One, Ian, Ninja, Nia, Simone, Sam and Adam have created a musical world distinctly of their own making. A place where routine is outlawed and perfection is the enemy. Where Ennio Morricone meets the Monkees armed with flutes, glockenspiels, steel drums and a badass analogue attitude. We're talking widescreen, four-track, channel hopping sounds that are instantly recognizable.
A definitive new peak in the recorded continuum of prolific producer/percussionist Carlos Niño, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style. Featuring contributions from more than a dozen exciting voices from the creative music constellation of Los Angeles.
Primal Scream frontman BobbyGillespie has teamed up with solo artist and Savages vocalist Jehnny Beth to release the collaborative album Utopian Ashes, due July 2, 2021 via Third Man Records. The album is heralded by lead single "Remember We Were Lovers" alongside an official video by Douglas Hart (The Horrors, Paul Weller).
This is the tenth anniversary edition of Frank Turner's fourth album 'England Keep My Bones'. This is the album that saw Frank step up from underground, cult status to mainstream success. It features the hit singles 'Peggy Sang The Blues', 'If Ever I Stray' and 'I Still Believe' and 'Wessex Boy' both of which Frank performed at the Olympic Opening Ceremony in 2012. At the end of the album campaign in April 2012 Frank headlined a sold out Wembley Arena. This tenth anniversary edition includes beautiful new artwork.
Six time GRAMMY® Award-winner, and 34-time nominee, Vince Mendoza is considered the foremost arranger of his generation, working with legends such as Björk, Elvis Costello, Sting, and Joni Mitchell. In a new star-studded release, Mendoza returns to his roots as a composer and conductor with a remarkable collaboration—highlighting the Czech National Symphony Orchestra, soprano Julia Bullock, guest artists Joshua Redman,Antonio Sanchez, Derrick Hodge, and The Roots' premier MC Black Thought—for his forthcoming album, Freedom Over Everything, on BMG’s Modern Recordings label imprint.
2021 release. "Better Mistakes, my sophomore album, is by far the most challenging yet fulfilling project I have ever worked on. I wrote, recorded, re-wrote, re-recorded and then repeated that process in order to deliver an album that truly reflects who I am as a singer, songwriter and most importantly as an artist. I want to give listeners a journey of pop paradise fused with elements of rock and hip-hop. It's important to me that my music continues to recognize ongoing themes of vulnerability, the cycle of self-destruction & self-realization, and female empowerment."
Vinyl LP pressing. After receiving widespread critical acclaim, singers, songwriters and producers Jeremy Zucker and Chelsea Cutler unveil their anxiously awaited new EP, brent ii. The five-song brent ii collection hinges on the inimitable collaboration between Jeremy and Chelsea.
Steve Marriner, a versatile and highly skilled musician, songwriter and producer. Winner of nine Maple Blues Awards, two Canadian Indie Music, two JUNOs and one American Blues Music awards as a member of MonkeyJunk. Steve has performed with some of Canada's top blues and rock artists such as Colin James, Sass Jordan and Matt Andersen and Harry Manx under the banner 'Manx Marriner Mainline'
THE REPRISE YEARS (1968-1971) features newly remastered versions of Joni Mitchell’s first four studio albums - Song To A Seagull (1968), Clouds (1969), Ladies Of The Canyon (1970), and Blue (1971). In the case of Song To A Seagull, the original mix has been recently updated by Mitchell and mixer Matt Lee. The cover art for THE REPRISE YEARS (1968-1971) features a previously unseen self-portrait Mitchell drew during the time period and includes an essay by Grammy winning singer-songwriter Brandi Carlile. The collection is presented on four 180 gram LPs in premium packaging and is a limited edition of 10,000.
Vinyl LP pressing. One of the most exciting musical talents to come out of the UK, Laura Mvula returns with highly anticipated studio album, Pink Noise. This album is an example of her newly found light, still reflecting her distinctive signature sound - her inventive, atmospheric mix of R&B, jazz, classical, and pop - but also showing the progression of an artist who has come into her own. Pink Noise is the blend of neo-soul meets art pop in a new cosmic realm filled with confessional lyricism and compelling synth pop."This is the album I always wanted make", says Laura Mvula, "Every corner is made warm with sunset tones of the 80s. I was born in 1986. I came out of the womb wearing shoulder pads. I absorbed the dynamism of the 80s aesthetic right from my first moments on this planet. Wrestling with identity seems to be one of the rites of passage of the established artist. Making Pink Noise felt like the most violent of emotional wrestling matches. It took 3 years of waiting and waiting and fighting and dying and nothingness and then finally an explosion of sound. As if it was always here, this record is my most honest and unapologetic flying of the freedom flag. In my adult years, I had forgotten how important dance was to me as a vital tool of my creative expression. I brought it back, just for me, so I could find my delight in dance again. And now I can't stop dancing."
Heading into the spring of 2020, T. Hardy Morris had 12 demos that he thought would make-up his next album, then, everything changed. The world took a break and so his plans to record did as well. As we all watched and waited out the storms; viral and societal, we seemed to wake up scrolling through a whole new century, a time Morris began to refer to as The Digital Age of Rome.
He scrapped the demos and began a collection of songs in quarantine where the unprecedented times and topics were unavoidable. He wanted to document the era sonically and lyrically in some way.
“I wanted it to sound like how the world felt to me in the second half of 2020. Uncomfortable and chaotic, dystopian but still beautiful.”
The Digital Age of Rome was recorded in a deserted downtown Athens, Ga. With long-time collaborator / producer Adam Landry.
Comprised of Naomi “Nai Palm” Saalfield (guitar, vocals), Paul Bender (bass), Simon Mavin (keys), and Perrin Moss (drums),thetwice-Grammy-nominated group Hiatus Kaiyote returns to announce their new albumMood Valiant via Brainfeeder Records / Ninja Tune.
The new project comes after the band has been sampled on songs by The Carters (Beyonce & Jay-Z), Kendrick Lamar, Anderson .Paak, Chance The Rapper, and Drake — with whom Nai Palm collaborated with onScorpion.
The band travelled to Rio de Janeiro in late-2019 to work on the album with legendary Brazilian arranger Arthur Verocai, which led to the infectious lead single “Get Sun” (feat. Arthur Verocai).
The album was a six year journey, but is more of a hustle than a hiatus — it is an act of love, of courage, of brother-and-sisterhood, of altered perspective.
“Hiatus Kaiyote’s music stretches and bends every parameter.”-Jon Pareles / The New York Times
Nonesuch Records releases an album of songs written and performed by Caroline Shaw and Sō Percussion, Let the Soil Play Its Simple Part. The musicians, who have known each other since their student days, were presented with three days of gratis studio time and decided to experiment with ideas they had begun putting to tape during the sessions for their January 2021 Nonesuch release Narrow Sea. With Shaw on vocals and Sō—Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting—filling out this new band, they developed songs in the studio, with lyrics inspired by their own wide-ranging interests: James Joyce, the Sacred Harp hymn book, a poem by Anne Carson, the Bible’s Book of Ruth, the American roots tune “I’ll Fly Away,” and the pop perfection of ABBA, among others. The album is co-produced by Shaw, Sō Percussion, and the Grammy Award–winning engineer Jonathan Low (The National, Taylor Swift).
Yves Jarvis and Romy Lightman are a pair of idiosyncratic and restlessly creative artists. In the past decade, Jarvis’s ever-expanding swatch have earned international acclaim, while Lightman’s twin-sister-led band Tasseomancy has transfixed listeners since the late 2000s. The Lightman Jarvis Ecstatic Band marks the duo’s first collaboration, slingshotting both musicians out of their comfort zones into spellbinding territories of lysergic folk and impressionistic rock.
Banned was recorded in the tranquil environment of the Tree Museum, an outdoor art gallery in rural Ontario, Canada, hosting residencies for contemporary sculptors over the past 20 years. The pair credit its 200 acres of natural spaces intermingling with human-made creations as the fuel for their unfettered process. Recorded over two weeks in a free-flowing stream of improvisation, the album finds Lightman on synthesizer with Jarvis on drums and guitar, as their voices weave together into an electrified pastoral tapestry.
For both musicians, the creation offered a chance to challenge themselves: Jarvis defying his solitary practice to record with another person, while open jams provided Lightman an alternative to her preference for thoroughly composed songwriting. “This album is a loose manifesto in our shared vision for a way of being,” says Lightman. “It’s about our relationship and the dynamics in that. There’s an epicness to it and tension at times. It’s like the ways particles collide. There’s an alchemical aspect to it with these base components slamming together.”
Vincent Neil Emerson is a torchbearer of the Texas songwriter tradition. He channels the straightforward truth-telling and resonance of his songwriting heroes in Townes Van Zandt, Guy Clark, and Steve Earle into something fresh and distinctly his own. Where his 2019 debut Fried Chicken and Evil Women proved that he is one of the most reverent students of country and Western musical traditions, his follow-up LP, the masterful Rodney Crowell-produced Vincent Neil Emerson, which is out June 25 via La Honda Records/Thirty Tigers, is a brave step forward that solidifies his place as one of music's most compelling and emotionally clarifying storytellers. His songs are cathartic and bluntly honest, never mincing words or dancing around uncomfortable truths.
Raised in Van Zandt County in East Texas by a single mother of Choctaw-Apache descent, Emerson's world changed when he first heard Townes Van Zandt's music. "To hear a guy from Fort Worth say those kinds of things and make those songs was pretty eye opening," the now 29-year-old songwriter says. "I had never heard songwriting like that before." He's spent the better part of the past decade honing his songwriting and performance chops playing bars, honky-tonks, and BBQ joints across the Fort Worth area. His first album Fried Chicken and Evil Women, which he wrote in his mid-twenties and came out on La Honda Records—the label he co-founded that now includes a roster of Colter Wall, Local Honeys, and Riddy Arman—is a snapshot of his growth as a songwriter and stage-tested charm with songs like "Willie Nelson's Wall" and "25 and Wastin' Time" expertly combining humor and tragedy.
These marathon gigs and the undeniable songs on his debut introduced Emerson to Canadian songwriter Colter Wall, who quickly became a close friend and took him on tour. With Wall's audience, and sold out theater shows on runs with Charley Crockett, Turnpike Troubadours, and many others, Emerson found his niche. "It took a guy from Canada bringing me on tour for people to actually start paying attention," says Emerson. "Before that it was a grind like anything else, just trying to make a living." Crockett is another staunch early supporter of Emerson's and covered Fried Chicken highlight "7 Come 11" on his 2019 LP The Valley.
Like every working musician, 2020 pulled the rug out from under Emerson. With the pandemic shuttering live music venues and cancelling promising tours, he processed the upheaval the only way he knew how: by writing his ass off. His intense and productive writing sessions produced ten finished songs over the course of just a couple of months, a body of work so personal that he knew he would have to name the final product Vincent Neil Emerson. These demos caught the attention of Texas country and folk icon Rodney Crowell, who signed on to produce and record the LP. "Rodney is a hero of mine," says Emerson. "He wanted to make something that serves the songs, as opposed to making a record trying to put focus on production or the playing. It was an honor to work with him." Crowell had similar high praise for Emerson: "if he grows on the public the way he’s grown on me, it’s possible young Vincent will plant the flag of his [songwriting] forebears firmly in the consciousness of a whole new generation." At the studio, Emerson tracked the songs with a crack team of session players put together by Crowell. "Because of them, we were able to get those songs in one take," he says.
The limited edition indie-exclusive vinyl includes a bonus flexi-disc featuring a duet with good friend, Colter Wall.
After his autobiographical debut album, The Good & The Bad, Brooklyn artist/actor Anthony Ramos returns with his sophomore release, Love And Lies, an adrenaline-filled record that leads listeners through a night out filled with lust, passion, and losing oneself in living on the edge. Proclaimed as Ramos’ most matured music to date, the album — like Ramos himself — is multi-genre from pop with “Lose My Mind”, to R&B on “Control,” and the Latin- inspired “Échale.” 2021 is the year of Anthony Ramos.
Gary Allan will be releasing a brand new album of all new material on June 25th. This is Gary's first studio album in over 8 years. Overall, Allan's nine studio and greatest hits albums have produced 26 singles on the U.S. Billboard Hot Country Songs and Country Airplay charts, including the number one hits "Man to Man", "Tough Little Boys" (both 2003), "Nothing On but the Radio" (2004), and "Every Storm (Runs Out of Rain)" (2013). Seven more of his singles have reached the Top 10 on this chart as well: his debut single "Her Man", "It Would Be You" (both at #7), "Right Where I Need to Be" (at #5), "The One" (at #3), "Best I Ever Had" (a cover of a Vertical Horizon song) (at #7), "Life Ain't Always Beautiful" (at #4), and "Watching Airplanes" (#2).
Josh Turner will be releasing a special Deluxe Edition of his double-platinum album, Your Man.The album includes the platinum #1 Song, “Your Man” which was co-written by Chris Stapleton as well as two other Top Country hits, “Would You Go With Me” and “Me and God.” 2021 marks the 15th Anniversary of the album and this special edition includes 3 bonus live tracks that were recorded while Josh was on tour.
Do You Want More?!!!??! is the second studio album by The Roots, released 17th January, 1995 on DGC Records. The band’s major label-debut, it was released two years after their independent debut album, Organix (1993). Do You Want More?!!!??! has been considered by critics as a classic of hip hop jazz. In 1998, the album was selected as one of The Source‘s 100 Best Rap Albums. On 2nd November, 2015, twenty years after its release, the album was certified Gold. 3LP 180 Gram Black Vinyl with 5 bonus tracks & 24 page booklet.
Halsey’s fourth studio album If I Can’t Have Love, I Want Power is a career-defining body of work. Produced By Trent Reznor And Atticus Ross, the album is a bold concept record that pushes creative boundaries. Halsey has surpassed 60 million RIAA-certified units across albums, singles and features. Worldwide, she has sold over 150 million adjusted singles. If I Can’t Have Love, I Want Power follows Manic, which debuted at No. 1 on Billboard’s Top Current Albums chart.
Recorded almost entirely remotely on two different sides of the Atlantic, Screen Violence is an ode to the digital violence experienced on screen, by screens and through screens. Featuring standout singles "He Said She Said" and "How Not To Drown (feat. Robert Smith)," the album serves as a marriage between personal experience, visual imagery and cultural narrative.
Careless Love, first released in 2004, is a rich collection of covers, with tunes from Bob Dylan to James P. Johnson and including a milestone rendition of Leonard Cohen’s “Dance Me to the End of Love.” Featuring the original, “Don’t Wait Too Long” co-written by Jesse Harris & Larry Klein. With over half a million albums sold, it shifted Peyroux from the jazz realm into the mainstream arena and remains her most popular release. Deluxe Edition includes the previously unreleased 2005 live set, recorded by Basque Public Radio for the Festival de Jazz de Vitoria-Gasteiz in Spain.
Madeleine performs the repertoire from Careless Love, plus additional bonus songs.
The fictional band from the NBC series Parks & Recreation is finally getting their due with a new album set to arrive on Aug. 27. And to mark the 10th anniversary of their Pawnee reunion performance where they debuted "5,000 Candles in the Wind" after the death of town mascot Lil' Sebastian, a new video and digital release for the song has arrived.
Led by Andy Dwyer, who previously fronted A.D and the D Bags, The Andy Andy Andies, Andy Dwyer Experience, Angelsnack, Crackfinger, Death of a Scam Artist, Department of Homeland Obscurity, Everything Rhymes with Orange, Fiveskin, Flames for Flames, Fleetwood Mac Sexpants, Fourskin, God Hates Figs, Handrail Suicide, Jet Black Pope, Just The Tip, Malice in Chains, Muscle Confusion, Ninjadick, Nothing Rhymes with Blorange, Nothing Rhymes with Orange, Penis Pendulum, Possum Pendulum, Punch Face Champions, Puppy Pendulum, Radwagon, Razordick, Scrotation Marks, Tackleshaft, Teddy Bear Suicide, Threeskin, Two Doors Down and Scarecrow Boat, the group is finally issuing their debut album.
The buzz from Mouse Rat’s performances at Pawnee’s Snakehole Lounge led to Dualtone’s partnership with Entertainment 720 co-founder and Snakehole Lounge part owner Tom Haverford. “Any creative business coming out of Pawnee is tied to Haverford” said Dualtone President Paul Roper, “From Rent-a-Swag to Tommy Fresh cologne and Tom’s Bistro, not to mention his business ideas not yet formed like the scented phone, talking tissues, contact lenses that display text messages and the glitter-infused laundry detergent Sparkle Suds, partnering with Entertainment 720’s hype machine was essential. The man is an idea factory.”
Roper continues, “This is about the team as much as it is the music. Andy’s wife and manager April Ludgate Dwyer is a marketing genius. Selling CDs at the Parks and Recreation shoeshine stand for $18 each, $40 for the set?? I don’t know anyone else who could pull that off.”
Mouse Rat's The Awesome Album will feature guest turns by Duke Silver and Land Ho!. The album will be available via Dualtone in partnership with Entertainment 20.
Rage, confusion, despair, self-deception, and introspection—Madi Diaz cycles through the full spectrum of emotions on History Of A Feeling, her debut on ANTI-. It’s an album that undeniably marks Diaz’s status as a first-rate songwriter, a craft she’s spent years refining, and one wherein Diaz establishes herself as an artist capable of distilling profound feelings with ease.
Diaz pulls from a range of folk, country, and pop leanings—she is as much influ- enced by Patty Griffin and Lori McKenna as she is the sonics of PJ Harvey and di- rectness of Kathleen Hanna. On History Of A Feeling, the Nashville based songwriter comes to terms with the dissolution of a meaningful relationship. By the end of it, she wills herself into a self-reflective state where she doesn’t hate herself for being so heartbroken.
The songs on History Of A Feeling, are the most direct and introspective songs Diaz has ever written. In the few times she’s gotten to perform them live in front of an audience, Diaz describes the experience as one where she feels acutely present even though she’s singing about emotions that started to take root years ago. It’s relatable to anyone who has experienced heartbreak and great change in some manner, and this profound sense of intimacy and camaraderie she seamlessly weaves into the songs was important to her. “I wanted it to sound conversational, like I had just walked over to your house and we’re sitting and at the end of your driveway talking—just like we’re hashing it out in the same way that you’d call a best friend at one in the morning because you needed to talk about what just happened.”
Legendary British producer Kevin Martin is back with his first new full-length album under The Bug moniker in seven years. “Fire”, the third album to his urban triptych (“London Zoo” & “Angels & Devils”) will be released on Ninja Tune in August 2021.
The Beach Boys ‘Feel Flows’ collection is based on the landmark 1970/1971 albums ‘Sunflower’ and ‘Surf’s Up’. This 4LP features remastered versions of the original albums and has 64 tracks including 44 previously unreleased tracks, alternate versions, alternate mixes and vocals. Available on black vinyl.
Formed in 1992, Boris boldly explores their own vision of heavy music, where words like "explosive" and "thunderous" barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billow smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way. Furiously recorded in the early days of the covid-19 pandemic and surprise-released in July 2020, NO was met with immediate and widespread praise. Meant to serve as a mirror that redirects the negativity of the global lockdown to something more positive, the content on NO can be characterized as “extreme healing music”. Musically, it draws from influential noise-heavy hardcore group Gudon, even including a cover of their song “Fundamental Error”. NO is a classic hardcore thrash record and is one of the band’s strongest efforts from start to finish. This will also serve as the release of NO on streaming services worldwide. "Their most compelling album in more than a decade." - Pitchfork
Formed in 1992, Boris boldly explores their own vision of heavy music, where words like "explosive" and "thunderous" barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billow smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way. This is the first-ever and particularly-anticipated official vinyl release of Boris's essential 2000 album, Flood. The album was originally released in Japan, only on CD. Delivered in four equally important movements, Flood is simultaneously delicate, dense, undulating, devastating, emancipating, hypnotic and triumphant. Each season of the album has its own sense of place, best revealed listen-by-listen. With the album, Boris broaden their vision of musical possibility, with a notable and imaginative influence from visionary American minimalist Steve Reich, weaving in prog, drone and slowcore into a multifaceted symphony. There simply has never been another piece of music like Flood.
GRAMMYr nominated OneRepublic announces their highly anticipated new studio album, Human. Includes previously released singles "Rescue Me", "Somebody To Love", and "Wanted." Along with their album announcement, OneRepublic also released their new single, "Didn't I," via Mosley/Interscope Records, co-written with Ryan Tedder, Brent Kutzle, Zach Skelton, James Abrahart and Kygo.
Masego – hailed as “one of music’s most promising chameleons” by NPR Music – kicks off the Capitol Cuts series with live performances captured at the historic Capitol Records Studio A – including a performance of “Silver Tongue Devil,” a track from his acclaimed new EP, Studying Abroad; some deeper catalog cuts; and a cover of Brasstracks’ “Golden Ticket,” a song on which he was featured on the original recording.
Donna says, “I got to a point in writing the album that I had said everything I wanted to say about someone else fucking up. I wanted to talk about the role I played in letting something consume me and burn me down. In ‘Let You Let Me Down,’ I'm addressing that I need to change too, so I don't rebuild myself the same way but come back from it stronger and better.” Capitol Cuts – Live From Studio A features artists’ one-take performances, recorded direct to vinyl at Capitol Studios in Hollywood.
Kerber is a new chapter in Yann Tiersen's career - if Portrait was revisiting & reassessing the past, Kerber draws a line under that and looks to the future. Both a follow up to EUSA and an album unlike any Yann has made before. Kerber takes its name from a Chapel in a small village on Ouessant. Influenced by the close geographical area around him, each track is tied to a place, mapping out the direct landscape around Yann’s home. Rather than being a reflection on isolation, the record is an expression of being conscious of your own direct environment and your place within it. The album takes the solo piano themes from EUSA and marries them with electronics. The electronic samples are enhanced by the acoustic elements - it’s the reverse process to what Yann has done before. This is a piano-centred electronic album.
"Everything from the stage to the sound to the visuals were killer… a beautiful two-hour venture. TesseracT should be very proud of themselves for delivering such an immense quality of work for their fans during these unfortunate times” - Metal Insider Following on from 2018’s critically acclaimed studio album, Sonder, the band, in the midst of a global pandemic decided to come together to present P O R T A L S – a cinematic live experience like no other. The band took livestreams to a new level by interspersing a conceptual storyline with their live performances that featured an arena-style light show. TesseracT are a band that sit outside the bounds of any genre specificity, pioneers of the ever-evolving rock and metal scene, with an unstoppable force of off-kilter riffs, soaring melodies and disorientating atmospherics. They put all of this into the December 2020 event that featured the band performing songs spanning their entire catalog. Highlights included “Nocturne" off their 2010 debut EP, Concealing Fate and continued with “Eden” (One, 2011), "Of Matter” (Altered State, 2013), “Tourniquet” (Polaris, 2015), and “King” (Sonder, 2018), with the whole performance capturing 14 songs over 2+ hours. Bass player Amos Williams explains more about the event and the concept behind it: “P O R T A L S is a celebration of our love of performing. Each act is a still from an ever-evolving musical personality. Each song is the conversations you have with old friends when you meet up for the first time in ages and you pick up exactly where you left off.” Now, Kscope are proud to present this unique event to a wider audience for the first time. The film and soundtrack will be issued on an array of formats including Blu-Ray, Triple LP soundtrack and Deluxe Book Edition. Along with the release of the livestream event, the band will be playing their first live shows in almost two years this November and December supporting Trivium in the UK and Europe, as well as returning to North American shores in 2022. “The quality of the audio and visuals provide testament to TesseracT’s statement that the performance represents their biggest production to date" – Prog/ Louder Sound
Spice Girls Wannabe 25 [Picture Disc Single] - To mark the 25th anniversary of the Spice Girls debut single "Wannabe," UMe / Virgin are releasing a new four-song EP on 12? picture disc vinyl.
Alongside the original single and an in-demand remix by Junior Vasquez (originally a bonus track on the 1996 "2 Become 1" CD Single) is the original demo recording, and "Feed Your Love", a ballad written by Spice Girls and "Wannabe" co-writers Richard `Biff' Stannard and Matt Rowe, recorded for the album Spice but previously unreleased.
Sturgill Simpson will be releasing his new concept album, The Ballad of Dood and Juanita, on CD on August 20th, vinyl release will be December 3rd. This is the Grammy-winning singer/songwriter's third album in twelve months and his most ambitious project to date.. Written and recorded in less than a week, and featuring the same ace musicians who played on last year's Cuttin' Grass albums, the record tells a classic American story of a Civil War-era couple torn apart by violence and reunited by love—what Simpson calls "a simple tale of either redemption or revenge."
“I just wanted to write a story—not a collection of songs that tell a story, but an actual story, front to back,” says Simpson. He describes the concept album as a “rollercoaster ride through all the styles of traditional country and bluegrass and mountain music that I love, including gospel and a cappella.”
In a career marked by risk-taking and rule-breaking, Simpson has previously challenged genre conventions with 2016’s soul-inflected A Sailor’s Guide to Earth, which won the Grammy award for Country Album of the Year and was nominated for Album of the Year, and 2019’s Sound & Fury, which was nominated for Rock Album of the Year.
The Ballad of Dood and Juanita is available on an indie record store-exclusive CD that includes a printed illustration from the album artwork. A standard CD is also available. On 12/3/21, the vinyl will be available on indie-exclusive Translucent Natural vinyl, and will include another 11x11 print of the illustration on the front cover. Standard black vinyl is also available. Support your local independent record store.
In a surprise move, GRAMMY® Award-winning, multiplatinum artist LORDE released new song “Solar Power.” The song, which appropriately dropped timed to the only solar eclipse of the year, came alongside the announcement of her highly anticipated third studio album of the same name, Solar Power. The artist revealed the album release date as August 20th and announced her 2022 World Tour dates. The album includes 12 tracks and is produced by Jack Antonoff who she collaborated with on her chart-topping last album, Melodrama. Indie Exclusive Brown LP. Limited Edition.
TV anime series “Neon Genesis EVANGELION” was first broadcast in 1995, taking the world by storm. The “Evangelion: New Theatrical Edition” film series started in 2007 with "EVANGELION: 1.0 YOU ARE (NOT) ALONE." followed by “EVANGELION: 2.0 YOU CAN (NOT) ADVANCE.” and “EVANGELION: 3.0 YOU CAN (NOT) REDO.” all becoming record hits at the box office. The TV anime and each of the feature films have since continued to garner new fans and are very lucky to be popular among various generations along the way, and the newest and feature film finale will be released in Japan on March 8, 2021
IIUII is a retrospective, but it’s just as much about the here and now. To re-record those songs with the maturity that Fin and his band members have achieved is about viewing the past through the lessons it has taught, not just remastering and repeating it. This was a chance to listen back through all the records, appreciate them for what they are, separate from the usual demands of which songs work on stage – and then give each song the treatment it deserves. With a solid fan base worldwide, Fin and his band have played the venues and festivals they want, and if not plain sailing, then certainly they've been in a space where they can operate with confidence, soaring with shoegaze layers one minute, back to purist blues basics the next. Fin has also participated in a sideline in co-writes on records by the likes of John Legend, a few soundtracks and the occasional excursion into dub or techno to keep things interesting.
In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation (closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.”
The Horses and the Hounds is a reunion of sorts. McMurtry recorded the new album with legendary producer Ross Hogarth (Ozzy Osbourne, John Fogerty, Van Halen, Keb’ Mo’) at Jackson Browne’s Groovemaster’s in Santa Monica, California. Hogarth recorded McMurtry’s first two albums, Too Long in the Wasteland and Candyland and later mixed McMurtry’s first self-produced album, Saint Mary of the Woods. Another veteran of those three releases, guitarist David Grissom (Joe Ely, John Mellencamp, Dixie Chicks), returns with some of his finest work.
Year Of The Spider is the widely anticipated studio album from the much ballyhooed garage rock idols, Shannon & The Clams. Slated for a summer 2021 release, it was recorded with Dan Auerbach at his legendary Easy Eye Sound studio in Nashville and finds the band crafting their uniquely vintage sound that incorporates wonderfully strange elements of doo-wop, classic R&B, garage, psych, and surf rock to produce this timeless gem from these perennial favorites.
Chrissie Hynde has announced details of her brand-new album of Bob Dylan covers, Standing in the Doorway: Chrissie Hynde sings Bob Dylan. The songs were recorded in lockdown by Chrissie and her Pretenders bandmate James Walbourne, almost entirely by text message. James would record an initial idea on his phone and send it off to Chrissie to add her vocal, before the tracks were mixed by Tchad Blake (U2, Arctic Monkeys, Fiona Apple). The nine-track album will be released via BMG on LP and CD on August 20th.
The Ultimate Tribute to The Legendary Canterbury Band. 2,500 COPIES ONLY WORLDWIDE
The Canterbury scene combined elements of jazz, folk, rock and melodic pop into a sound that bridged the gulf between psychedelia and progressive rock, and ultimately shattered all genre barriers. At the heart of the Canterbury scene was a group of musicians whose career has now spanned more than half a century: the legend that is CARAVAN.
Who Do You Think We Are? is the ultimate tribute to the ultimate Canterbury band. This deluxe box set runs to a staggering 37 discs. All the official Caravan albums – studio and live recordings among them – are joined by no fewer than eleven discs of previously unreleased live performances. A Blu-ray includes producer/remixer extraordinaire Steven Wilson’s 5.1 surround sound mix of the classic In the Land of Grey and Pink album. In addition, a DVD includes vintage European TV performances from 1971 - 1981 (London Marquee, German TV’s ‘Swing In’, Bataclan, Paris & French TV show ‘Pop 2’).
The lavish packaging of the set reflects the band’s stature. A hardback coffee table book features rare Caravan photos and memorabilia, and a full discography. A second Fan Club book assembles historic press articles from across the band’s career, alongside a new interview with founder member Pye Hastings. Every copy of the box includes photos signed by the three surviving members of the original Caravan line-up: Pye Hastings, Richard Sinclair and David Sinclair. The celebration continues with a selection of memorabilia: a Caravan-centric map of Canterbury; a specially commissioned Caravan family tree poster, charting their long and circuitous progress; and two replica 1970s gig posters.
The Bob’s Burgers Music Album Vol. 2 includes nearly every single musical morsel from seasons 7 through 9.
This 90-song smorgasbord will feature the Belcher family - Bob (H. Jon Benjamin), Linda (John Roberts), Tina (Dan Mintz), Gene (Eugene Mirman) and Louise (Kristen Schaal) - as well as the show’s numerous recurring and special guests. This includes actors, comedians, and musicians Adam Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National).
For fans of the show, enjoying the music of Bob’s Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration “Hot Pants Rain Dance”, sing along with the musical theater gem, “The Wedding Is My Warzone,” or do whatever you’re gonna do to “Sexy Little Tiger” but don’t miss the Bob’s Burgers Music Album Vol. 2. Fans, your order is up.
The Smithsonian Anthology of Hip-Hop and Rap is a first-of-it's-kind multimedia collection chronicling the growth of the music and culture from the parks of the Bronx to solidifying a reach that spans the globe. The set includes 130 tracks on 9 CDs and a 300-page book with original design by Cey Adams, artist and founding creative director of Def Jam Recordings, as well as essays by some of hip-hop's leading writers and critics and never-before-seen photographs. Through the music, writing, and extensive liner notes, the Anthology reveals the many trends within this multifaceted genre, it's social and political implications, and it's influence on popular culture.
The Anthology is the third major compendium produced by Smithsonian Folkways Recordings that tells the story of a defining era of music "of, by, and for the people," following the Anthology of American Folk Music and Jazz: The Smithsonian Anthology. It frequently highlights the objects and stories of hip-hop displayed in the National Museum of African American History and Culture galleries, offering perspective on the African American experience and it's impact on American culture. Curation of the Anthology was headed by a committee including rappers Chuck D and MC Lyte; writers and scholars Jeff Chang and Mark Anthony Neal; early Def Jam senior executives-turned-cultural-advisors Bill Adler and Bill Stephney; and producers Questlove and 9th Wonder. This release is a collaboration between the Smithsonian's National Museum of African American History and Culture and Smithsonian Folkways Recordings
The Trey Anastasio Band went on tour in January 2020 intending it to be a warm-up for studio dates. The band was firing on all cylinders, reflected by the fiery sets and intense crowds. The pandemic cancelled the studio plans but producer Vance Powell told Trey "there was already enough great material on tape from the tour to make the best TAB album ever." It was named Burn It Down, a line from 'Set Your Soul Free,' because it encapsulated exactly what had been happening onstage every night.
Over the course of her lush, expansive, defiantly sprawling new album, "Sometimes I Might Be Introvert", released on Age 101, the Ivor Novelloaward-winning, Mercury nominated Little Simzdelivers an undeniable modern classic, effortlessly condensing any number of disparate styles and genres into music which thrillingly broaches the gap between urgent modern treatise and hip hop. A bold, quantum leap forward from the critically beloved "Grey Area", this is hardly music aiming simply for the pop charts; rather, it is turbo charged with the kind of fury and potency, confusion and anxiety that make up the modern experience of being Black, British and female at this particular point in time. This is no mere philosophical exercise, however - the result is her most ambitious and soaring body of work to date, one which operates at the very heights of what rap can be
Ronnie Wood and the Ronnie Wood Band is back with the second installment of his live album trilogy, ‘Mr Luck - A Tribute to Jimmy Reed: Live at the Royal Albert Hall’, to be released 3 September 2021. The Ronnie Wood Band with special guests Mick Taylor, Bobby Womack, Mick Hucknall and Paul Weller. Live from the Royal Albert Hall on 1st November 2013. A ‘Tayle’ of Two Sidemen ‘When self-taught guitarist Eddie Taylor imparted his skills onto his friend Jimmy Reed, he surely couldn’t have imagined the effect this was to have on the Chicago blues scene. Backing up such luminaries as John Lee Hooker, he is best remembered for his work with his former student. Sweet coincidence, then, that in 1974 another Taylor, Mick, would make way for Ronnie Wood in the Rolling Stones, paving the way for these two friends and celebrated guitarists to work on projects ever since. The culmination of this to date is surely Taylor’s place in The Ronnie Wood Band at the Royal Albert Hall for 2013’s Bluesfest, where they played the now-legendary set that would come to give birth to this recording.’
Acclaimed singer, songwriter and musician Liz Cooper will release her anticipated new album, Hot Sass, September 3. Produced by Benny Yurco (Michael Nau, Grace Potter & the Nocturnals), mixed by Dan Molad (Lucius, Emily King) and recorded live at Little Jamaica Recordings in Burlington, VT, the new album marks multiple departures for Cooper—from her nine-year home of Nashville to Brooklyn, from her band addendum of the Stampede, and from the genre-based expectations she’s accumulated throughout her career. After heavy touring in support of 2018’s Window Flowers, where her songs stretched out in live settings, she felt constricted by the Americana-adjacent associations that "the Stampede" carried. So with her bandmates’ blessing, she dropped the moniker, pursuing sounds and songs that let her chase the inspiration lent to her by the likes of Courtney Love, Lou Reed, and David Bowie. With these twelve new songs, Cooper comes into her own—both musically and as a person—embracing a newfound sense of independence, honesty, maturity and creativity. In addition to Cooper and Yurco, Hot Sass also features Cooper’s longtime bandmates and collaborators Joe Bisirri (bass), Ryan Usher (drums, percussion) and Michael Libramento (guitar, synthesizer).
Reflecting on the album, Cooper shares, “It’s me learning about what kind of woman I am and it’s not pretty all the time…I’m still processing these songs. Still reflecting. And I think that’s the thing—Hot Sass is just a stamp in time of what was happening in my life. I just want to continue making art that displays myself, the moments, and the people around me.”
The new record follows Cooper’s 2018 full-length debut album, Window Flowers, which was released to widespread critical acclaim. Of the album, NPR Music praised, “a gorgeously arranged and performed bouquet of psychedelia-tinged folk-rock,” while Rolling Stone hailed, “Cooper pushes her strand of folk rock deep into psychedelic territory by merging her idiosyncratic vocal style with swirling, droning guitar effects and lacerating solos that feel dusted with otherworldly magic,” and Paste declared, “If we’re lucky, we are going to hear a lot more artists in the future like Liz Cooper.” Originally from Baltimore and now based in Brooklyn, Cooper has continued to tour consistently since her debut, performing alongside artists such as Dr. Dog, Shakey Graves, Bermuda Triangle, Lord Huron and Phosphorescent as well as special festival performances at Austin City Limits, Newport Folk Festival, BottleRock Music Festival, Lockn’ and more.
Cooper will also continue to tour throughout 2021 including upcoming performances at Bonnaroo Music & Arts Festival, Railbird Festival, Telluride Blues and Brews, Sea Hear Now Festival and Freakout Festival, with additional headline dates to be announced soon.
Watch the music video for the album’s first single, “Slice of Life,” directed by Daniel Yocum on YouTube.
Widely considered among the greatest live bands of their generation, My Morning Jacket have become one of the most vital and reliably thrilling forces in American rock and roll. On ‘Live 2015’, the bands' first live album in 15 years, MMJ showcase 16 explosive performances recorded during 2015’s ‘The Waterfall Tour’. Track list includes fan favorites "Victory Dance", "Circuital", "Dondante", "Touch Me I'm Going To Scream Pt 2" and more. Available on white vinyl in this new 3LP set.
Tapping everything from anthemic drum & bass to woozy, iced-out house, soulful UKG and huge, festival-worthy club anthems, ‘Ground Control’ captures Rudimental in full bloom – at their free, expressive and kaleidoscopically creative best. Released over two sides to reflect the sheer breadth of sounds they explore – Side A compiling the album’s more soulful tracks, and Side B serving as a full-blooded nod to the clubs – the tracklist is awash with the sort of invention that makes Rudimental such a unique outfit; and with it, one of the UK’s most successful groups of the last decade.
Swedish musician and producer DJ Seinfeld (Armand Jakobsson) rose to prominence in 2016 through the so-called 'lo-fi house' scene, inadvertently helping define its sound. His debut album 'Time Spent Away From U' (2017) received support from Pitchfork, Resident Advisor and Crack Magazine with Rolling Stone describing the album as 'one of the best proper dance-music albums of the year' whilst FACT called it 'a victory lap'. Contemporaries like Aphex Twin (who played his track 'Sakura' in recent live shows), Flying Lotus, Four Tet, Flume, Bonobo, Hot Chip, Benji B, Marcel Dettmann, ODESZA, PatrickTopping are all known fans and supporters of his music. Now having transcended early labels, his long-awaited new album 'Mirrors' is set to be released on Ninja Tune in September.
Mercury – Act 1 is the fifth studio album from Imagine Dragons, the best-selling rock band of the last decade. Executive Produced by Rick Rubin, the new album features the singles “Wrecked,” “Follow You” and “Cutthroat,” and explores themes such as love, faith, pain, passion and loss. Mercury – Act 1 is available everywhere September 3, 2021 on KIDinaKORNER/Interscope Records.
In celebration of the 10th anniversary of Lady Gaga's iconic album Born This Way, THE TENTH ANNIVERSARY version includes Lady Gaga's original Born This Way album, along with six new versions of songs reimagined by artists representing and advocating for the LGBTQIA+ community. 2 CD.
With such iconic tracks as “Christmas Time is Here” and “Linus and Lucy,” the Vince Guaraldi Trio’s A Charlie Brown Christmas is the second–best-selling jazz title in history. Certified 4x Platinum and a perennial best-seller, the soundtrack reached the Top 10 of the Billboard Charts in 2020 and #2 on the Billboard Vinyl Charts. For this one-time only 2021 printing, the jacket has been wrapped in a silver foil while the embossed Peanuts characters and tree have never appeared more striking.
F.S.Blumm and Nils Frahm have confirmed details of their fourth collaborative album, 2X1=4, which will be released on September 3, 2021, by LEITER, the new label formed by Frahm and his manager, Felix Grimm. The seven-track album finds the duo unexpectedly exploring a dub-influenced universe, though in truth it’s one already familiar to both. F.S.Blumm, for instance, is co-founder of Quasi Dub Development, whose 2014 album, Little-Twister vs Stiff-Neck, featured Lady Ann and Lee Scratch Perry, while Frahm’s music – not least 2018’s All Melody – has occasionally betrayed a fondness for the form’s associated studio techniques, though he concedes wryly that his approach has always been “a little bit more German” than his influences.
“Fearless was an album full of magic and curiosity, the bliss and devastation of youth. It was the diary of the adventures and explorations of a teenage girl who was learning tiny lessons with every new crack in the facade of the fairytale ending she’d been shown in the movies. I’m thrilled to tell you that my new version of Fearless is done and will be with you soon. It’s called Fearless (Taylor’s Version) and it includes 26 songs.” – Taylor Swift. Includes 6 unreleased tracks. Gold 3 LP.
Vancouver-based producer Felix Cartal releases his new album, Expensive Sounds For Nice People, via Physical Presents. Includes the hit singles "Mine" with Sophie Simmons, "Love Me" featuring LIGHTS, and his latest, "Happy Hour" with Kiiara.
Rock Legend Stewart Copeland and Grammy Winner Ricky Kej complete a brand new music album "DIVINE TIDES" A tribute to the magnificence of our natural World and the resilience of our species. "DIVINE TIDES" illustrates these musings through its diverse musical canvas of soundscapes, melodies, pulsating rhythms and lush ambient texture that are weaved together by two Master craftsmen Stewart Copeland and Ricky Kej.
Early James released his Dan Auerbach-produced debut album, Singing for My Supper, via Easy Eye Sound at the onset of the pandemic on March 13, 2020. A pair of bonus tracks – "Tumbleweed" and "Mama Can Be My Valentine" – were shelved after the full year of touring was cancelled. Those tracks are finally available on 7" vinyl and span hard-charging blues, wistful folk, & ages-old pop crooning, anchored by a voice that oscillates from gravel- gruff shout to a honey-smooth whisper. Indie Exclusive.
EXUM, aka Antone Chavez Exum Jr. was born in Richmond Virginia. He took a little detour on his musical journey, spending years as a professional footballer in the NFL playing for teams such as the San Francisco 49ers and the Minnesota Vikings. While playing sports most of his life, he always held music dear to his heart. In 2020 he flew to Oslo and hooked up with a producer named Samkopf. Together they honed the EXUM sound that mixes alt pop and hip hop, falling somewhere between Toro Y Moi,, Baby Keem, Prince, Twin Shadow and Tyler The Creator. Sage The Room Dark Kept Secret Bad Chick Bad Dude Just Me And The Bottle Portabella Mushroom Brotherhood Of The Travelling Raf Arrest The Dancer Wolves Eat Wolves Muffin Years In Lydian
- Third Pressing of Jettison Mind Hatch.
- The 1st pressing (by now-defunct Rainbo Records) has a Blue-colored Side A ring, and the 2nd (pressed by Gold Rush) has a Red-colored Side A ring. This was unintended, and we’re calling this the ‘happy accident’ courtesy of Rainbo.
- Accordingly, as we have chosen RTI to be our permanent vinyl maker, we’ve intentionally changed their version (v3) to a thicker Gold colored Side A ring… this is how you will be able to tell these 3 versions apart.
- Only three thousand (3k) of v1 (Rainbo) were pressed, and only one thousand (1k) of v2 (Gold Rush) are in circulation. The RTI pressing (v3) will remain in circulation as the superior sounding and preferred version moving forward.